Sunday, May 27, 2007

The Tattoo Chronicle Pt. 2

Today was the final episode of the Tattoo Chronicle. I got there 1t 2PM and he didn't finish until 9PM - 7 hours! So, yesterday was 4 1/2 hours and today was 7 hours, which equals 11 1/2 hours all together! Eeek! Overall, it was OK. But, there were some times where I was in an intense amount of pain and trying very hard not to cry out. The lower back and the areas on the spine were brutal. I was on this strange chair contraption that forced me to be in a submissive kneeling position at all times and I had to hold my arms in front of me in a way that was kind of like praying - call me a dweeb, but it was kind of a spiritual experience. There were moments of intense pain, but in between those were moments of clarity and lucidity. I mean, people do all kinds of things to reach a spiritual place, right? Indian sweats, fasting, walkabout, long journeys, abstaining, etc. etc.


I have turned myself into art!


He told me he was going to enlarge this photo and hang it at the entrance of the shop.


He made me feel like a piece of cheese and he was the cheese-grater, but look we are still buddies!

Saturday, May 26, 2007

The Tattoo Chronicle Pt. 1

So, yesterday I had my first session. I got there at 2PM and didn't leave until 6:30PM. When he first started using the needle it was brutal. I buried my face in the pillow and I couldn't focus on anything but the needle dragging across my skin. Then, I passed out. Yes - really, I passed out. So, after re-grouping for a few minutes on this little chair/bed thing I think they have in there I told him I was ready to start again. I decided that burying my head in the pillow and focusing on the needle was not the way to go about it. So, I grabbed my iPod and my Tom Robbins book and focused on them. After a few moments the pain faded and next thing I knew 4 hours had passed by and I had almost finished my book. We took a few 3 minute breaks (one he requested because his wrist hurt, one I requested because he was shading a sensitive area and I thought my skin was falling off). I left at 6:30PM and came home to a silent and tense dinner with my family. Please note that my Mom hasn't spoken to me since I told her. She thinks tattoos are an abomination and she blames my Dad for mine because he has 5. I hope they house will calm down soon, if not it's going to be a lonely Summer.


The Initial Sketch


Self-Portrait in the Studio


My Awesome Artist


End of Day 1

Thursday, May 24, 2007

Tattoo

So, I met with a tattoo artist i've been wanting to work with since last Christmas today. My first sitting is tomorrow at 2PM for 4 hours, then I have another one the following day for 4 hours! That's a lot of pain and ink! I'm nervous and excited. I have been wanting to do this for awhile, but time, money, and not knowing the 'right' artist was always an issue. Now, I have plenty of time, enough money, and I have met the perfect artist, so now is the time! I told my Dad and i'm planning on telling my Mom tonight. I hope she doesn't cry. I know I don't need their permission, but out of respect I want to give them a heads up. My Mom is very anti-tattoo. C'est la vie. Not everyone is going to support you all the time, so you have to support yourself first and foremost! I'll post pictures of the torture tomorrow.

The Design:

The design will cover my whole back! Peony flower on shoulder blade, leaf at bottom on lower back just above butt.

The idea behind the tattoo is something called "Mono-no-aware," which is the awareness of beauty that leads to a melancholy perception of the transience of human life, which is why it's important to me to have a design that is soft looking and incorporates different stages of life (i.e. the bud versus the blossom). The Peony flower stands for spring, love, female beauty, good fortune, and nobility of spirit. The sparrow stands for freedom, finding true love, staying with your soul mate forever, safe journey, keeping away evil, and finally traveling far distances but always returning home.

Wednesday, May 23, 2007

Dashanzi Art District

Yesterday I walked over to Dashanzi Art District with my Mom. It's one of my most favorite places in the world! The district used to be factories, which were eventually abandoned when the operations were moved otherwhere. Now, these very factories have been turned into art galleries. It's unspeakably cool to see a large room filled with odd contraptions meant for producing things like shoes and buttons adorned with post-revolutionary art! To top it off, it's coffee-shop heaven! I'll be spending lots of my time there reading, writing, and geeking out on my computer.


Ricebowl Economy


Another Ricebowl Economy


Pipes Inside A Gallery


Non-Art Turned Art in My Eyes


The Painter at Work


Garbage or Art?


Another Brick in the Wall


Another Brick in the Wall Pt. 2


This was outside a cafe making everyone feel uneasy...


Anarchist Chinese Graffiti


Socialist Sculpture
(the tattoo parlor behind is where i'm getting mine this Summer)


Left: Communists Are Supposed to Blend In
Right: Individualistic Americans Stick Out


Chinese Alien Graffiti



My Lovely Mother

Monday, May 21, 2007

Eye in the Sky

Mountain Range Beside Mt. Fuji

Mt. Fuji

Clouds Over Japan

ORIENT-ation: The Journey

I arrived in China last night around 9PM Beijing time, which is about 3AM Honolulu time on a different day . The travel was OK. The flight was smooth, but my thoughts were stormy. I mostly wrote in my journal. At the Honolulu airport I watched part of ‘The Fountain.' It was beautiful and intriguing, but I was distracted. Dissecting slivers of conversation and trying to piece together a puzzle that’s already assembled according to someone else's design. It seemed an ideal day to leave the country.

I ended up snagging a whole row of seats on the Honolulu to Japan flight and falling asleep only to dream about rain, helmets, and crocodiles in feather boas. When I woke up, I peeked through the seats in front of me and read over a man's shoulder. He was reading a book called The Four Agreements
and marking it up with a red pen. The first sentence I saw him underline was, "How many times do we pay for one mistake?" The answer that followed this question was a lot less provoking than the question. The gentleman in front must have shared my thoughts because I noticed he didn't underline any of the answer. The gist of the book seemed to be that our dreams are ruled by fear. And also that we define ourselves by our mistakes and are constantly punishing ourselves. Overall, I wouldn't buy it, but it was interesting to see what this man thought was important enough to underline and something about the question was very provoking.

On the Japan to Beijing flight I had a window seat and I saw Mt. Fuji's snow-capped peak for the first time. It was beautiful. My mind calmed and emptied a bit at this point.

Saturday, May 19, 2007

Leaving is a Catalyst


I've been hanging out in Hawaii for a few days and same as every year i've gone from dying to get out of here to having a hard time prying myself away. Everything looks so good when you know you won't be seeing it for awhile. Suddenly stagnation turns to an exciting whirlwind of change and I start thinking, "I can't leave now. Things are happening!" But, this is exactly why I leave the country a few months a year - to give value back to my life, to miss it and remember why I live where I live. It's good. I look forward to my departure as well as my return.

Tuesday, May 15, 2007

A few more days!

So, work has been more demanding than I anticipated and I haven't had a day off since school ended. I'm going to stay in Hawaii a few more days to surf and see friends. I'm leaving on Sunday the 20th now instead of Thursday the 17th. Aloha!

Sunday, May 13, 2007

Goodbye to Dole St.

So, i've begun the packing process. I truly deeply hate packing. While sorting through all of the crap i've inexplicably acquired since I came to Hawaii 3 years ago I find all these little worthless objects that I can't seem to let go of like movie ticket stubs, a single earring that lost it's mate, a broken corkscrew, unfinished knitting projects, the shards of the glass soap dish Pat made me before he left, a lighter with no fluid Blake left on the table the morning he moved to San Fransisco, and of course, books - so many books!
E.B. White is one of my favorite essayists. He alludes to the torment of moving in many of his works - here's an excerpt from one of my favorites:

Goodbye to Forty-eighth Street

By: E.B. White

Turtle Bay, November 12, 1957

For some weeks now I have been engaging in the dispersing the contents of this apartment, trying to persuade hundreds of inanimate objects to scatter and leave me alone. It is not a simple matter. I am impressed by the reluctance of one's worldly goods to go out again into the world. During September I kept hoping that some morning, as by magic, all books, pictures, records, chairs, beds, curtains, lamps, china, glass, utensils, keepsakes, would drain away from around my feet, like the outgoing tide, leaving me standing silent on a bare beach. But this did not happen. My wife and I diligently sorted and discarded things from day to day, and packed other objects for the movers, but a six room apartment holds as much paraphernalia as an aircraft carrier. You can whittle away at it, but to empty the place completely takes real ingenuity and great staying power. On one of the mornings of disposal, a man from a second-hand bookstore visited us, bought several hundred books, and told us of the death of his brother, the word "cancer" exploding in the living room like a time bomb detonated by his grief. Even after he had departed with his heavy load, there seemed to be almost as many books as before, and twice as much sorrow.

Every morning, when I left for work, I would take something in my hand and walk off with it, for deposit in the big municipal wire trash basket at the corner of Third, on the theory that the physical act of disposal was the real key to the problem. My wife, a strategist, knew better and quietly began mobilizing that forces that would eventually put our goods to rout. A man could walk away for a thousand mornings carrying something with him to the corner and there would still be a home full of stuff. It is not possible to keep abreast of the normal tides of acquisition. A home is like a reservoir equipped with a check valve: the valve permits influx but prevents outflow. Acquisition goes on night and day - smoothly, subtly, imperceptibly. I have no sharp taste for acquiring things, but it is not necessary to desire things in order to acquire them. Goods and chattels seek a man out; they find him even though his guard is up. Books and oddities arrive in the mail. Gifts arrive on anniversaries and fete days. Veterans send ball point pens. Banks send memo books. If you happen to be a writer, readers send whatever may be cluttering up their own lives; I had a man once send me a chip of wood that showed the mark of a beaver's teeth. Someone dies, and a little trickle of indestructible keepsakes appears, to swell the flood. This steady influx is not counterbalanced by any comparable outgo. Under ordinary circumstances, the only stuff that leaves a home is paper trash and garbage; everything else stays on and digs in.

Lately we haven't spend out nights in the apartment; we are bivouacked in a hotel and just come here mornings to continue the work. Each of us has a costume. My wife steps into a cotton dress while I slip into midnight-blue tropical pants and bowling shoes. Then we buckle down again to the unending task.

All sorts of special problems arise during the days of disposal. Anyone who is willing to put his mind to it can get rid of a chair, say, but what about a trophy? Trophies are like leeches. The ones made of paper, such as a diploma from a school or a college, can be burned if you have the guts to light the match, but the ones made of bronze not only are indestructible but are almost impossible to throw away, because they usually carry your name, and a man doesn't like to throw away his good name, or even his bad one. Some busybody might find it. People differ in their approach to trophies, of course. In watching Edward R. Murrow's "Person to Person" program on television, I have seen several homes that contained a "trophy room," in which the celebrated pack rat of the house had assembled all of his awards, so that they could give out the concentrated aroma of achievement whenever he wished to loiter in such an atmosphere. This is all very well if you enjoy the stale smell of success, but if a man doesn't care for that air he is in a real fix when disposal time comes up. One day a couple of weeks ago, I sat for awhile staring moodily at a plaque that had entered my life largely as a result of some company's zest for promotion. It was bronze on walnut, heavy enough to make an anchor for a rowboat, but I didn't need a rowboat anchor, and this things had my name on it. By deft work with a screwdriver, I finally succeeded in prying the nameplate off; I pocketed this, and carried the mutilated remains to the corner, where the wire basket waited. The work exhausted me more than did the labor for which the award was presented.

Another day, I found myself on a sofa between the chip of wood gnawed by the beaver and an honorary hood I had once worn in an academic procession. What I really needed at the moment was the beaver himself, to eat the hood. I shall never wear the hood again, but I have too weak a character to throw it away, and I do not doubt that it will tag along with met to the end of my days, not keeping me either warm or happy but occupying a bit of my attic space.